Fly Me to Cancun!

My description of New Look 6911:  Princess-seamed shirt/jacket with sleeve and collar options; two types of skirts. I sewed view B, the collarless jacket with a rounded neckline.  The pattern comes in a misses' 10-22. I sewed a "10" at the shoulders, "12" at the arms, and "14" elsewhere.  Although I somewhat diverted somehat from the instructions, the steps were logical and easy to follow.

I used a "Cancun" printed cotton from Alexander Henry, 2010.  I like the vibrant and tropical print.  It makes me crave a tall glass of a luscious fruity beverage.  

Having a not-so-good hair day! (Wind-blown effect)

 

Favorite Features
*Classic styling of a princess seamed shirt/jacket with a rounded neckline, which flatter any figure.

*Versatile jacket due to the potential of acquiring many types of looks with a change of a collar, sleeve, and or fabric

Not-so-favorite features
*As noted by previous reviewers of this pattern, I encountered some extra ease in the upper back, lower side backs, and at the lower armscye, and surprisingly a lower neckline. Raising the neckline 3/4" from the center of the neck would be ideal

*I am not too fond of the back facing.


Modifications/Alterations:
*I took in the upper center with an additional 3/8" seam tapering to 0" at the waistline.

*Lined the entire jacket. Per the original directions, I cut a total of 4 front pieces, of which 2 will serve as interfaced front facings. I cut lining pieces for the side fronts, side backs, center back, and sleeves and assembled them the same way that I did for the original pieces. I bagged the lining, leaving a 3" opening at one of the lower armscyes of the sleeve lining for the entire jacket to be turned inside out.
  

Wearing the lining on the outside as a reversible jacket, which I plan not to do.

*Performed my usual petite adjustment at the waistline, which did not seem necessary

*Tried to get as much "symmetry" or print matching as possible by cutting the left and right "front" and "side front" pieces on a single layer instead of double layer of fabric.

Recommendations
I plan to give this pattern another try, but not immediately, due to trying other patterns in my stash. Although there seems to be a sizing discrepancy, I still recommend the pattern for its classic styling.


Maybe it is not a good idea to visit Cancun this week.  The forecasted weather this week will be cloudy and rainy.

 

Franki-ly Speaking

An Ann Taylor wine-colored knit dress with a cowl neck for $88

Cowl-ifornia Girls

By Jean Paul Gautier, at Saks Fifth Avenue for ...

$795????

Here's a simple cowl neck dress/top "with slightly extended shoulder line. Hugging the neckline at the back and falling softly into a front cowl. Suitable for all occasions." The patterns come in sizes 6 - 8 - 10 - 12 - 14 - 16 - 18 - 20 - 22 - 24 - 26 - 28 - 30. You specify a size while ordering from the website. I purchased a "12".

Here's the link if you are interested in the Franki pattern at the Stylearc.com website:

http://www.stylearc.com.au/stylearc/index.php?page=shop.product_details&flypage=flypage.tpl&product_id=387&category_id=5&option=com_virtuemart&Itemid=39

Second version

First version in a top:

For my first verion, I used remaining knit from fabric.com that I used for creating the "Kate" wrap dress.  Second version: A crinkled poly knit from EOS.


Instructions
The instructions are in a "list" format while including key diagrams for the shoulder seam, center back seam, and finishing the inside of the neckline after folding in a portion of the front of the neckline that forms the "cowl".

Favorite Features
I like the drape and depth of the cowl and the clever construction of the draped neckline. After stitching the shoulder seams, the top ends of the front of the top/dress are joined to form the center back seam, leaving an opening between what I called "the newly-formed-thick-back-neckband" and the upper edge of the back neckline. Then between the "mitered" points of the shoulder seams, I stitched the edges together to close the gap, thus forming the inner back seam. The back "neck stand" is formed by folding the "back neckband" to the inside so that it covers the seam of the inner back neckline.

Not-so-favorite Features
Although I like the silhouette, I am not fond of the extra ease I experienced at and below the waist, causing the dress to appear somewhat "sack like" on me.


Alterations/Modifications:
For my second version, the dress, I made my usual petite adjustment at the waistline. After experiencing a bearably snug top (first version) due to taking in the shoulders and center back seam, I reverted to the original marked seams for my dress. I also added a tie belt in the same fabric to pull in some extra fabric at and below my waist.


Would you sew it again? Would you recommend it to others?
Yes! I already have two in the queue to be made from "stashed" fabric. Be prepared to get hooked to this pattern after you try it for the first time due to how quickly you get a top or dress with a flattering front drape.

Recommendation
This is dress is comparable to the popular Vogue 1250 DKNY dress. If you are looking for a stylish knit dress that is very simple to sew with minimal fuss, then I highly recommend this pattern.

Halloween 2011: Me and Pippi Longstocking

Cowl-iflower

  Cowl tops from Ann Taylor Loft,

After seeing several reviews of this pattern, I purchased this seemingly stylish and versatile pattern. I admit that I am hooked on making tops with a "draped" neckline.

"Misses' tops: Top A has front and back stitched pleats, front drape, lapped back and extended shoulder seams; top B has stitched front pleats and drape; top C has front drape and contrast loops."  I sewed a "M", adding 3/8" to the sides. Due to the extra ease that I encountered, took in the seams again returning to the "M" at the sides.  I sewed view "B" and added the short sleeves that came from a Burda knit top.

Fabric Used:
What remained of a stretch matte knit jersey purchased from fabric.com that I used for a previous project.  Now I know what fabric.com meant by "large" floral print:  one flower occupies an entire top!

A PR member referred me to this top available last year on the Saks Fifth Avenue website.

A knit top, from February 2010 issue of Burda WOF, #112.

This floral fabric was also featured on a Butterick 5456 dress.

Directions
They were fine with overall presentation with clear diagrams. Before stitching the shoulder seams, I was able to easily figure out the placement of the front facing, being "behind" the back piece

Favorite Features
You can quickly get an on-trend top from just two basic pieces, the front and the back. I was impressed with the amount of drape at the neckline, without a "plunge".



Modifications/Alterations
* I originally had intended to sew view "A" with the cap sleeves, replacing the "lapped" back with the back of sleeveless view B to be drafted with the cap sleeves. Instead, I sewed the entire view B and added a pair of set-in type of sleeves cut from a Burda pattern for a knit top that I traced a few months ago.

*Performed my usual 1" petite fold between the bust and waistline.

*Added sleeves from a Burda knit top and trimmed off the excess ease at the sleeve caps.

Recommendation
I plan to sew more versions of this pattern.  If you are looking for a quick self-gratification, this is the pattern.  This pattern is ideal for showcasing the print of a fabric.

Pip Pip Hooray for Halloween!

Heather was a "genie" on Halloween last year.  Her inspiration for Halloween this year is one of her favorite storybook characters, Pippi Longstocking, created by Astrid Lindgren,  a native of Vimmerby of Kalmar county, part of a province called Smaland in Sweden.  Heather's grandparents from her father's side also live in a small town that is about a 40-minute car drive from Vimmerby. 

Heather and Pippi at a little store in Kosta Boda, Sweden, summer of 2009

Kosta Boda glassware site

Heather liked the outfit on this Madame Alexander's 2000 version of Pippi doll that she wanted me to make a similar one for her.  Here's Pippi and her friend Mr. Nilsson .

 


Pippi and Mr. Nilsson, red-y for trick or treating

"Pippi" and Mr. Nilsson enjoying the sunshine on a Halloween afternoon.

For Heather's tunic, I used a girls' tunic/dress pattern from Burda.  Here is a girls' tunic/dress and pants in sizes 2-8. I enlarged the pattern to approximately a girl's size "10". The directions are better than typical Burda (from the magazine) due to helpful diagrams and clearer directions  Both were simple to sew.

For Heather's jumper, I used an easy McCall's pattern.   The pattern seems to run a size or two larger.  The straps need to be adjusted to raise the bodice for modesty.  Since this jumper was to be made as part of a costume, I decided to not adjust the straps further.  But maybe due to my fabric choice (fleece), the jumper seemed to "stretch".

Favorite Features of Burda 9627 tunic/dress
My daughter liked the overall style with in particular keyhole/lace tie neckline, the flared sleeves and loose tunic/dress style. My only dislike I attribute to my mistake for using a woven instead of a knit. Heather's only dislike was not related to her costume: it was some classmates that thought she was dressed as the "Wendy's" girl or Raggedy Ann.  The few students and an faculty member that recognized her as Pippi either read the book or watched the movie.

Heather dressed as Pippi just before going to school, Halloween morning

Fabric Used:
Linen-type woven, which was not one of the recommended fabrics (sweatshirt fabrics, jersey).

Pattern alterations or any design changes you made:
*Enlarged the pattern (additional seam allowance) to approximately a girl's size "10".

* Shortened the sleeve length

*Added a back zipper, so that my daughter can get her head through the neckline.

Would you sew it again? Would you recommend it to others?
Yes. For my daughter's next top or dress from this pattern, I will use a knit. I recommend this pattern due to its ease of construction which produces stylish basic coordinates for the young ladies. 

 Me, in Style Arc's "Franki" top and Heather as Pippi Longstocking, all "pipped" up for Halloween!

Conclusion:
My daughter plans to wear her Burda tunic/dress again after Halloween

Pink-A-Dilly

Revisiting a pattern two years later, out-of-print McCall's 5803, "Misses' tops and skirts: Fitted tops A, B have cut-in armholes, princess seams, front bands with ruffles, armhole facings and front button closure; top A has collar with collar band; top B has collar band..."

One that I found that closely resembles view "A" is an INC International Concepts top from 2 years ago.

"Think Pink" for Pinktober 2011. Three colleagues of mine have fought bravely against this disease and currently are survivors. I hope and pray for the cure.

I cut a "10" at the shoulders and a "12" elsewhere.   I used a printed cotton.

The Directions

They seemed much more understandable the second time around or two years after sewing my first top from this pattern.  I sewed view "A" which required 10 pieces: front, side front, back, side back, collar, collar band, front band, front ruffle, front armscye facing , and back armscye facing. 

What I learned from my first version was to: 
(1) cut 4 pieces of the front band (2 interfaced to attach to the front over the ruffle and 2 for the facings)

(2) cut two additional pieces of the ruffle to act as facings and hence, avoid the awkward and extensive hemming on large bias-cut pieces

(3) transfer all markings, cut out the notched triangles which help with aligning pieces together prior to sewing

(4) replace the armhole facings with bias binding made from the same fabric as the blouse.

(5) do lots of iron pressing for a smoother finish (especially at the front bands, collar/collar band and lower edge of the front ruffle)

First version, summer 2009

Heather and me at the county fair, summer of 2010

Favorite Features
I purchased this pattern two years ago for the sleeveless and ruffled front style.  The top is fairly simple to sew, especially if the front ruffles were omitted.  The top could also be made without the ruffles for a more casual look.

Modifications/Alterations:
*Facing the ruffles (instead of cutting 2 of the ruffle pieces, I cut 4) with the same fabric to avoid a narrow hem with "puffs and waves". However I needed to set my thread tension to "0" to be able to gather the top edge of each ruffle  that consisted of two layers of fabric due to it being self-faced.

*My usual 1" petite adjustment at the waist
*Instead of using the armhole facings, I cut two rectangular strips on the bias (approximately 20" in length, 1 3/4" width, stitched a seam joining the ends, right sides together, attached it from the inside and turned to the outside of the armscye and topstitched close to the edge.

*Topstitched the edges of the front bands instead of "slip-stitching" or handstitching the hem of the front facing to the front band on the "wrong" side of the blouse.


Recommendations
I plan to sew another top sans the ruffles.  Although it has been out of print, I recommend it.  This style seems to suit any figure type. 

Twisty Business

I have had this Simplicity pattern by Cynthia Rowley in my stash for months.  Once I found a suitable fabric, I took this pattern out of hiding.  I used the remaining Liberty of London Tana cotton lawn from my "Suede says" dress.  I sewed view "A" with the "twist" neckline. I sewed an "8" at the shoulders (should have used a "10" instead) and a "12" elsewhere. I still had to take in the sides to reduce the billowy effect.

 My neckline had a "cowl" effect after attaching that tricky twist band to the neckline. 

The Directions
The directions were satisfactory except for those that pertain to the twist band for the neckline.  I probably made the top more difficult that what it really is.  I sewed the shoulder and side seams and attached the bias bindings to the neckline and shoulders (sewn to the inside and topstitched on the outside of the top). When I arrived at the steps of the "twist" neckline, somebody encountered some "twists" of fury...

I spent more time fiddling with the "twist" neckline than sewing the entire top with the bias binding. The twist band is created from two rectangular pieces cut on the bias (front and back) joined at a seam along its width, stitched together lengthwise (right sides together), stopping 3" from each end. However, I cut the back piece on the cross-grain due to a fabric deficit. After turning the wide "tube" inside out, I experienced some uncertainty about the extent and the number of "twists". "Twist band four times" seemed straightforward until I actually started the twisting. Hmmm, either it was 4 half turns or 4 full turns. Fellow PR'ers Buttonfaith and Birdie suggested 4 turns and obtained lovely results. Despite how many and what type of turns I make: 4 half turns or 4 full turns, my neckband looked strange. I  have a suspicion that the incongruities of my neck band was due to not being able to cut its back piece on the bias.

Once I settled on 4 half turns (because it looked more manageable than the "twisted rope" look from the 4 "full" turns), I "opened out" the ends of the neckband and sewed the inner seam (right sides together) to close the "loop". The part that took the most time while sewing this top was attaching the neck band to obtain an "eye-pleasing" cascade of twists.

I nearly gave up on the neckline until I did a PR search on this pattern to read the earlier reviews of the gorgeous tops made by fellow PR sewists. I noticed that the twists vary among the tops, which add to the uniqueness of each top. With that in mind, I became inspired to try again, fiddling with fabric placement while maintaining a "twist" effect here and there, and adding a little fold to compensate for the longer length of my band. Although I was not completely satisfied with the final placement of the twist neckline due to not achieving an aesthetically pleasing result, I felt fortunate to at least be able to get the band to somehow "fit" onto the neckline. So I accepted the premise that there is no clear method to place the band on the neckline to obtain the desired results. Maybe some other "random" placement might work. Disney's show "So Random" (seems like a "younger" version of Saturday Night Live) now has its "twisted sister", "Sew Random." Enough of random thoughts!

Favorite/Not-so Favorite Features
* The top with bias finished armscyces and neckline is simple to sew.
* Versatile pattern with neckline and sleeve options

* Unclear directions on creation of twist neckline band and its placement along the neckline.

* My placement and attachment of the twist neckline band affected the "center ruching" of the neckline.  Hence, I experienced a "tug of wear" at my upper bust

* Even though the neckline took time for me to complete, it adds to the unique styling of the top.

Alternations/Modifications
*1" petite fold at waist

*Took in the side seams an additional 1/4"

*Shortened the bias strips for the armscyes to reduce positive ease.
*Created a tie belt in the same fabric

Recommendations
The top makes a nice camisole/tank sans the twist neck band. Even though I had some issues with the twist neck band, I still would recommend this pattern based on the sleeveless/round neck top that potentially provides many styling options.

If you have this pattern in your stash, give it a try.

Frock-sy Lady

Pattern Description:
Misses dress, jumpsuit and tunic top sewing pattern from the SUEDEsays Collection. I sewed the dress with the elasticized neckline and waist.   Its primary model number on the Simplicity website and catalog is #2179.

My pattern envelope showing the dress that I sewed

other pattern envelope showing the jumpsuit from the same pattern

Pattern Sizing:
Misses' 4-6-8-10-12. I sewed a 10 at the shoulders and neckline, and a 14 elsewhere. I encountered some some extra ease in the bodice and skirt.

Fabric Used:
Liberty of London Tana cotton lawn, part of the "Liberty Rocks" collection, inspired by musical artists. The print of this fabric is inspired by international pop singer Emelia de Poret is really more vibrant than what it appears in the pictures of me wearing the dress. Ms. de Poret's sketch of "microphone heads" was transformed into this boldly colored fabric design in collaboration with a team of Liberty of London's designers.

This is closer to the actual vibrancy of the print

Fabric swatch and description on LOL website
LOL blog with a video clip showing behind-the-scenes collaboration of Emilia and textile design team



Instructions
They were fine with helpful illustrations.

There is a discrepancy between the cutting layout specified on the instruction sheet and the marked fabric grain (bias or cross-grain) on the skirt piece.  The layout shows the skirt pieces cut as two full pieces, one for the front and the same piece for the back. However, the directions on the piece is to cut four along the bias (at a 45 degree from the vertical grain) in order to create the center front and center back seams.  If I followed the bias, then I would not be able to fit the piece for my fabric with width 54".   So I followed the cutting layout and cut the front and back of the skirt each as one full piece to eliminate the center seams.

. 


Favorite/Not-so Favorite Features
Although I like the flutter sleeves, elasticized neck, elasticized waist, hooped buttoned front, and circle skirt, I feel that it is a style more suited for the younger.  But then it is nice to occasionally deviate from my current comfort zone and be fashionably fearless and adventurous.

Walking against the wind, making my skirt cling weirdly!

I regret not performing my usual petite adjusment at the waist, because the waistline fell an inch lower than I preferred.  Also, there was something odd about the way the dress draped along my sides and back, when I pulled the elasticized waistline, just above my hips: it emphasized my short waist and high hips, making me look more "matronly" which prompted me to use a belt.

"Back drape"

It is a fairly dress to construct (i.e. no zippers, lining, set-in sleeves). My main gripe is that pinning and stitching the circle skirt seemed like riding an eternal carousel.  Just when I thought I was nearly done stitching the hem, I was not even halfway done!  But the result is worth it: the fabric's drape coupled with the skirt's shape provide a dash of dramatic fluidity, adding to the dress's personality .

Pattern alterations or any design changes you made:
*Lined each sleeve in the same fabric to avoid the visibility of the inside of topstitched hems.

*Omitted the bias finish at the armscye. I turned in a 3/8" hem to the inside and topstitched.

*Trimmed 1" from the length of the skirt


Would you sew it again? Would you recommend it to others?
Most likely I will not, due to its distinctive style and a growing queue of patterns that I intend to sew. I still recommend the dress because it is comfortable and feminine, without being too frilly.

Conclusion:
A dress suitable for many occasions.


I was able to adjust the pattern to create a dress for my 8 y.o. daughter.