Saturday, June 30, 2012

The Gray, the Blue, and the Web-ly

Having not made anything yet from the June edition, and already the July edition arrived in my mailbox!   My goal is to sew at least one item from Burda Style each month.  I still have not decided what to sew from June, but after browsing through the July issue, I immediately traced and cut the pattern pieces for #108,  the top with the bow tie and cap sleeves. The caption for this top came from the page adjacent to the one shown below.


Pattern Description:
From page 36 of  the July 2012 issue of Burda Style:
"Simply beautiful, this narrow-cut linen top with large bow at the neck edge.  The unfinished hem adds a trendy touch".  If I left my second version with unfinished hems, another touch would add fraying frenzy.

Burda Blue


Pieces to be Cut:  Front, back, sleeve, front neck facing, back neck facing, and two rectangular strips for the armholes and one for the bow tie.  There are no pattern pieces for the rectangular pieces.  They are cut on the bias with specified lengths and widths. I did not  cut the front and back on the bias



Size: Burda Style Petite Sizes 17-21.   It is nowhere drafted too look like the top above.  Just by looking at the front and back pieces, I anticipated a boxy and shapeless top.  I sewed a "21" and it was quite spacious or had excessive ease.  It seemed to be drafted  for "vanity" Misses' sizes. The characteristics that I like are the flattering scoop neckline and tie front.  Other than that I originally created one billowing rectangle.

Rating:
One dot and a half, where one is the easiest.  I agree with the rating, if the top was sewn without alterations and unfinished hems.

I agree that it is easy if sewn the way it is styled: with the sleeve, bow tie, and lower hem left unfinished or  with their"frayed edges".  With the fabric that I was using I opted for a more "tailored" look: bow tie turned inside out after sewing the lengthwise edge right side of the fabric together, and topstitched sleeve and lower hems. 

The directions were sparse but not impossible to figure out if you have sewn garments with front and back facings, and armholes finished with a rectanglar band of fabric cut on the bias.

First version, the blue top, "Blued out of Proportion".  The blue tie below the neckline is difficult to see, but it is there.
Blued out of Proportion


I used a remnant in a nearly midnight blue colored stretch polyeste (perhaps a lighter weight type of ponte polyester?)  .

Instead of leaving the sleeve hem unfinished, I used the same bias band used to finish the armscye I was able to position the band at the lower edge of the sleeve, right sides together and stitch before stitching the sleeve seam in conjuction with seam of the lower armscye/sleeve hem facing, and stitching the side seam.

 Blued out of Proportion


Due to the extra ease, I took in the side seams 1 1/2" at the widest part. If my fabric had less stretch, I probably would have taken in an additional 1" .  Although this pattern is sized for petites, I should have gone with my original intuition (or sewtuition) and shortened the bodice 1" front and back at the waist (petite adjustment).


Second version: a silver and gray top, "Silver Ada" 
Silver Ada


* I used a remnant in a cotton/polyester/silk blend woven with no stretch.

* I transferred the changes I made in my blue top to the pattern pieces. I need to make accommodations for the type of fabric to be used. There is still some room in the neck and upper back area, but this time encountered constriction in the bust area and at the waist and hips. 

* I cut the front in two halves adding a 3/8" seam allowance at the center for the center seam, leaving a 4 1/2" slit  below the neckline for a keyhole opening. I top-stitched  a narrow vertical hem at each of the slit, pivoting at the junction point of the two hems or at the lower edge of the slit. A button and a little elasticized loop secures the keyhole.

*I cut the sleeves at the crosswise grain of the fabric so that the portions of the little fringed selvedge compose the lower edges. 



Third version: Spidra Dee
Spy Dee
*I used a cotton woven which was more suitable fabric than those I previously used.
* The new Spider Man movie is premiering on July 3.  I thought it would be fun to participate in a Spider Man outfit sew-along with fellow sewists Cation Designs and Tanit-Isis.  What an opportune time for my daughter and myself to wear Spider Man themed outfits (Heather will have a Spidey skirt).
* San Diego Comic-Con International is coming soon.  Although I was not able to pre-order tickets this year and many years before that (each year the event is sold-out months in advance), I thought I sew my daughter and myself some outfits of one of our favorite comic book heroes to make us feel invin-sew-ble (now humming a few bars of Pat Benatar's "Invincible").
* I wish I had taken in the shoulder seams one size lower.  As a "design feature" I folded 3/4" from each shoulder seam and secured the ends of each fold with two little red buttons.
*I added a back center seam (5/8") to reduce excess fabric and to add some contour to the back
.
*The top fits better (neither tight nor very loose) than my first two versions with some shaping at the sides. But I prefer wearing a belt to reduce the "sack look". I found a red/black belt I made for a matching top.  I plan to purchase a bold red wide belt for a more updated look.


Webbie Reynolds
(I do not mean to offend anyone with my inaccurate finger gesture of Spidey shooting his web).

4th version (added the 4th of July) (more about this on a separate blog post):
 Julie Defourth


Recommendation
Although this pattern did not seem to be drafted for petites, it is overall a simple and straightforward top to sew without alternations or after adjustments to the pattern.  I noticed that I should have cut the front and back for my silver top on the bias as directed. Possibly adding front/back darts or elasticized shaping at the waist and hips would be more flattering on me.

On the subject of "The Amazing Spider Man" for 2012:
Emma Stone, wearing a Roksanda Ilincic dress, in a photo call in Madrid, Spain  What is with her skirt? A ruffle scuffle? She could have worn #101 in the same color scheme.


Spidey Fashion Sense

Friday, June 29, 2012

Surfing Sew-fari Flashback

I just found out that The Beach Boys are currently on tour to celebrate their 50th anniversary!  Before I take you on a Surfing Sew-fari Flashback of our "call to the wild" wardrobe, below is some safari chic with a pair of elegant animal-printed gowns: Giambattista Valli viscose dress with zebra print from  Saks Fifth Avenue for $3475 and Carmen Marc Valv silk halter with cheetah print from BergdorfGoodman.com for $895.

 

Sharing the same theme are my recent purchases of accessories: a striped and spotted scarf (background), a heart pendant necklace, and a spotted heart and disk earrings from Charlotte Russe (each $5);  a set of bangles and cheetah pendant necklace from Forever 21.
 Spots and Stripes Faux-ever

Hopefully PETA approves wearing animal printed fabric as an alternative to wearing real fur.  I notice that within the past 5 years, my daughter and I have worn many garments with animal print. Not everybody likes to wear wild animal print (i.e. my mom).   

Here's a quick recap of our Sew-fari.  Maybe you have these patterns in your collection and tried them.  Photos are linked to Flickr.  I have nearly surpassed my 1G limit of uploading Blogger photos (to Picasa photo) before having to pay for more storage.

"Zebraffic Park" ITY jersey wrap dress with Butterick 5454
 Zebraffic Park
Studio 5454

"Zee Braffic" with Jalie 2788 twist top pattern
Zee-braffic



Butterick 5386 top, Calvin Klein knit,

"Black, Gray, and Yellow, Black, Gray, and Yellow"
Black, Gray, and Yellow, Black, Gray, and Yellow

Party of Five


"Leah Pardy"knit top with McCall's 6164
Mc-Call of the Wild


Triple Scoop


With another Jalie twist top 2788 
 Leah Paired

Jalie 2788 twist top
Jalie 2788 Twist Front Tops



Spotted with McCall's 2254 knit top and Jalie twist top 2788
LEA PAR-Deux

McCall's 2254 from 1999
McCall's 2254


"Purple Pawsion" in a cotton woven with New  Look 6025
Purr-ple Paw-sion



The Five Tops with American Idol's Pia Toscano


"Leah Parda" with Jalie 2788 twist tops
Leah Parda



Red, White, and Blue in a cotton woven with Butterick 5463
 Red, White, and Blue

The Four Tops


A pair of Cheetah Sheened Caped Cru-sew-ders with rever-sew-bility, Simplicity 6026
Caped Cru-sew-ders

Fleece with licensed San Diego Chargers' logo.
Caped Cru-sew-ders


"Ruffled Spots" in polyester/charmeuse with Simplicity 2756
Ruffled Spots

Simplicity 2756


"Cheetah Puffs" knit top, Vogue 8451
Cheetah Puffs

The Girls From Ipa-knit-ma


A year and a half ago at Macy's: Hmmmm, that fabric looks very familiar!   Heather being silly next to a mannequin wearing an INC International Concepts dress in the same fabric.
Hey, I Have That Fabric!!!

The INC Spots


"A Spotted Life" with New Look 6940
A Spotted Life



NewLook6940_env


"Lea Parda deCatrio" with Butterick 5084
Lea-parda di Cat-rio
Lauren, Audrina, and Heidi for Butterick???



"Lea Pardy" with Jalie 2788 twist tops
Lea Pardy

Lea Pardy


Heather at the San Diego Wild Animal Park (in Escondido, California), getting "Cheetah-Rrific" with again,  Jalie 2788's twist top pattern...
Cheetah-RRRRRRRific
Cheetah Twist


"Giraffic Park" in a lightweight home decorating fabric with Burda WOF, #110, February 2010
Giraffic Park



Amy Winehouse in Re-haBurda-tation


"Giraffic Park" in an ITY jersey with Butterick 5283
Giraffic Park

Butterick 5283 Twist Tops



"Giraffic Park" with Disney's "The Cheetah Girls" for Simplicity 2944
Giraffic Park

Simplicity 2944
Cheetah Girls' Coordinates



"C"'s of Confusion in a poly jersey, Hot Patterns Iconic ShirtDress

C's of Confusion

C's of Confusion

Hot Patterns Plain and Simple Iconic ShirtDress

Just Say "Cheetah" with Butterick 5969
Just Say "Cheeee-tah"

Butterick 4969 Coordinates


"C's" the Moment with Burda WOF Pattern #108, bateau neck knit top, from February 2009
C's the Moment

From February 2009 issue of Burda WOF (now Burda Style), #108
Burda WOF, February 2009, #108 knit top


"Pebbles and Wilma" with Jalie 2788 twist tops
Oh Pebbles and Wilma, I'm Home!


Get your capri pants and striped shirts and dance!  Credits to king rocker and roller Chuck Berry for the melody and Brian Wilson for the lyrics of this song.